Digital Moviemaking: All the Skills, Techniques and Moxie by Scott Billups

By Scott Billups

Geared to professional-minded those that have had a few previous event in construction and comprehend the basic distinction among a pastime and a profession.

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Additional resources for Digital Moviemaking: All the Skills, Techniques and Moxie You'll Need to Turn Your Passion Into a Career (The Filmmaker's Guide to the 21st Century)

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For many, it comes the first time they stand at the back of a theater full of people who paid money to watch their movie. For others, it happens the first time they walk into a Blockbuster and see their movie up on the shelves.

BODOM Keep in mind that even though networks and channels are starting to ask for shows to be shot in HD, what they really want is 16x9. It will be several years before the H D format actually becomes a transmission standard that is used for its pixel count. 85 if you do go theatrical. sure you're dealing with a true i 6 x 9 precious resolution before committing most high-end DVCPRO camcorders image. LINE Don't get obsessed with numbers because it makes you an easy target. We are living in a world where large corporations find it much cheaper to hire a marketing firm to rearrange and redefine specifications than to actually improve their product.

Get over it! You can rent a good DigiBeta or DVCPRO-50 for Billups : TOOLS DIGITAl MüVlEMAKING 2NO EDIT/ON 55 54 less than a hot miniDV setup would cost and then put the extra money you save up on the screen. ) BUY IN THE "SWEET SPOT: " If you absolutely feel the need to own your camera, then please have the common sense to buy in the negotiable area between too expensive and too old. Don't necessarily go for the most expensive or newest ge ar you can find because you're going to end up paying through the nose.

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